Illustration

Letters to the Churches

Panels in place at St Paul’s Church, Cambridge.

Poetry. Click on images

The Heart of Darkness. Joseph Conrad. Painting

The Heart of Darkness by Joseph Conrad.

A short book and one of two books of Conrad’s, that I have read. I struggled with one other longer novel of his, Lord Jim.

A brief synopsis. Often described as being the first modern novel, The Heart of Darkness as a story,  can and is read on a number of levels including,  a critique of 19th century imperialism and European racial prejudice; a classic tale of hypocrisy, greed and exploitation; a commentary on the shallowness of Western Civilisation and its pretence of what constitutes civilised behaviour; a retelling of the archetypal hero’s journey; and a metaphorical journey into the primal heart of humanity  (The Heart of Darkness).

Creatively, however, and the reason for my wish to illustrate episodes from Conrad’s short story was his use of the contrasting qualities of light and dark as a leitmotif not only to describe the physical external world. but as a metaphor for the complex often contradictory nature of humanity’s internal space- the light and especially, the darkness, that is  within us all.

The bright light of the African sun-  the terrible primal, darkness of the jungle and the river,  the racial contrast between the whiteness of the, supposedly superior, colonial Europeans along with their apparel set in contrast to the blackness of the subjugated, exploited, Congolese. Then there are numerous references to shadows- the place where things are hidden and danger lurks,  the oppressiveness of the sun and its exposing/revealing light along with its oppressive heat. All rich material from which to extract out ideas for pictures.

I originally completed 10 paintings- sold 5, lost two and mislaid 3- probably either in my loft or at some relative’s house. The images are photocopies of originals so some scan lines may be observed.

Original. Acrylic on stretched canvas

To kill a Mockingbird. Harper Lee

To Kill a Mockingbird by Harper Lee was one of a number of books I read after graduating from art school in the late 1990’s and to which I turned to for inspiration and subject matter for my illustrations/paintings. Like so many others who have read Lee’s, until recently, only novel, I loved the book. It is beautifully written, poignant with a serious and disturbing main storyline which is viewed and told  through the eyes of a child, Scout Finch. Yet it is also funny, and in the inspirational character Atticus Finch (Scout’s father), it has provided me with one of my three literary heroes.

The paintings formed the bulk of my first  exhibition held in Gallery 96 on Kings Street in Cambridge (sadly since closed). I enjoyed taping into the rich visual opportunities provided by the period the story is set that of 1930’s, depression era, Alabama, in America’s south, and I indulged, and mined, freely from the written and visual art of the period, including the works of John Steinbeck, Ben Shahn, Romare Bearden, Dorothea Lange and of course  the movies of 1930’s Hollywood.

All paintings are acrylic on stretched cartridge paper. Series painted 1999.

Advent Panels. Foreshadowing. Series 3

Images created using a process which involves collage use of a flexigon, Photoshop and Ipad app (Snapseed)

Advent panels

For a number of years I have been commisioned by St Pauls Church here in Cambridge, to produce 5 advent images for presentation on each Sunday  service in that season up to and including Christmas day. Each year the vicar, Rev Micheal Beckett, comes up with a serious of themes which he develops in each service with the aid of the accompanying image.

I use these commision to develop ideas around techniques, composition and effective visual story telling. There is always a deadline one that gets smaller and smaller as  Christmas day approaches, due in the main to me spending a lot of time on the first two illustrations leaving very little time for the final three. On average each take around 4 days to complete (on and off) from initial sketching out of ideas  to sending the complete image to the printers. The final images are printed on to foamboard and are A1 in size. They are wrapped up in Christmas wrapping paper. Children are invited to unwrap the image in the service.

I try and do a fair bit of reading around each theme and hope they do the job that is asked of them.

Click on images for more informtion

In the Heart of the Amazon Forest. Henry Walter Bates

In the Heart of the Amazon Forest- Henry Walter Bates

These five illustrations were inspired by the travel diaries of the English naturalist and explorer Henry Walter Bates. Bates traveled to the Tefe region of the Amazon in 1842 with Alfred Russell Wallace. Wallace returned after four years but Bates was to remain for 11 years exploring the region, studying the fauna and flora and amassing a collection of 11000 specimens over 8,000 of which were new to science and included. shells, plants, birds and over 100 new species of butterflies and beetles, which returned with him to England in 1852. A large part of his collection is now housed at the Natural History Museum in Kensington, London.

On his return, Henry Bates wrote up his journals and diaries and published them as “The Naturalist on the River Amazon” and which is published now as ‘In the Heart of the Amazon Forest.’ In his book, he recalls his encounters with alligators and turtles, monkeys and birds, beetles & bats, ants, and butterflies. He describes and records in detail their appearances, characteristics, and habits and, being also an accomplished artist, Bates filled  his journals with delightful watercolor illustrations of the creatures that he studied

Alongside the rich wildlife of the forest, the recalls his relationship with the indigenous Amazonian native peoples without whose help Bates could not have gone about his work. He learned their languages and observed their customs. He hires them to gather specimens for his collections and accompanies them on fishing trips along the river and its tributaries. He describes in graphic detail the annual turtle egg collecting event- a great occasion amongst the local tribes. He hunts birds and monkeys using their poisonous blowpipes and records encounters with man-eating alligators. On one memorable occasion, he recounts a contact with the Jauaripixuana, the Native name for the black Jaguar which caused much excitement among the hunting party he was with.

Turtles, jaguars, toucans, leaf cutter ants, storks, vampire and fruit-eating bats; all creatures which he describes in precise detail in his book and which I have chosen to populate these five illustrations. I hope to do more. The scientific writings of Henry Walter Bates and in particular his discovery of mimicry in insects (where harmless species imitate the appearance of more aggressive or poisonous species in order to improve their survival chances- now known as Batesian Mimicry) went on to help inform the then-new Theory of Evolution and he is considered as belonging amongst the most important and influential of 19th century’s biologists.

Illustrations are created using drawing, Flexigon, photocopier, photo apps (Snapseed) and Photoshop

Biblical stories. The Nativity. 2015 Series.

Image created using a process which involves collage, use of a flexigon, Photoshop and Ipad app (Snapseed)

Advent panels

For a number of years, I have been commissioned by St Pauls Church here in Cambridge, to produce 5 advent images for presentation on each Sunday service in that season up to and including Christmas day. Each year the vicar, Rev Micheal Beckett, comes up with a serious of themes which he develops in each service with the aid of the accompanying image.

I use these commissions to develop ideas around techniques, composition and effective visual storytelling. There is always a deadline one that gets shorter and shorter as  Christmas day approaches, due in the main, to me spending a lot of time on the first two illustrations leaving very little time for the final three. On average each take around 4 days to complete (on and off) from initial sketching out of ideas to sending the complete image to the printers. The final images are printed on to foamboard and are A1 in size. They are wrapped up in Christmas wrapping paper. Children are invited to unwrap the image in the service.

I try and do a fair bit of reading around each theme and hope they do the job that is asked of them.

Click on images for more information

British birds of prey. Series 2. Buzzards

All images are hand drawn and rendered in Photoshop

Related topics;

1. Introduction

2. What’s your super powers?

3. We are family

4. What’s in a name?

5. Brush up your Shakespeare

6. Know your place

7. Mind your language

8. It’s tough at the top

9. The female of the species.

10. All for One & One for all.

11. The beautiful game

12. Scourge of the Roman empire

13. A legendary tale

14. Explosive tear drop

15. Poetry in motion

16. Friend or Foe

17. Strictly come dancing

18. Keeping a tight grip

Click on images for more informtion on each raptor

 

Biblical stories. Encounters with Christ. 2016 series

 

Images created using a process which involves drawing, collage use of a flexigon, Photoshop and Ipad app (Snapseed)

Advent panels

For a number of years I have been commisioned by Pauls Church here in Cambridge, to produce 5 advent images for presentation on each Sunday  service in that season up to and including Christmas day. Each year the vicar, Rev Micheal Beckett, comes up with a serious of themes which he develops in each service with the aid of the accompanying image.

I use these commision to develop ideas around techniques, composition and effective visual story telling. There is always a deadline one that gets smaller and smaller as  Christmas day approaches, due in the main to me spending a lot of time on the first two illustrations leaving very little time for the final three. On average each take around 4 days to complete (on and off) from initial sketching out of ideas  to sending the complete image to the printers. The final images are printed on to foamboard and are A1 in size. They are wrapped up in Christmas wrapping paper. Children are invited to unwrap the image in the service.

I try and do a fair bit of reading around each theme and hope they do the job that is asked of them.

Click on images for more informtion